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Shameless Winter

by Daisy Chapman

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1.
Do you remember those Mirage summers? Tousled hair and golden skin Writing lyrics on the heath And smoking Luckies Didn't matter which month were in   Pokhara stories And Indian glories Lay ahead with an innocent charm As I look back to those luxury problems I am glad that the summer has gone   Oh shameless winter Hallelujah   Do you remember the lady next door Auburn hair and a gap toothed grin She had a face that darkened when addressed No matter what state she was in She's speak of gloomy Sundays And suicidal Mondays And we wondered does the ice queen Weep tears of snow?   Oh shameless winter Hallelujah Winter show your smile Winter stay a while   Do you remember when we Stole a Christmas tree? And snuck it through the hole in the fence On Christmas Eve Slowly but surely We beautifully adorned it And left it in the garden for her to see As I travel through the winter Singing songs for my supper I look back to what we'd done Sun lurked on the horizon It's where I took your poison Land of eternal dawn As the last leaf clings to the tree Exposing its naked bough Siberian wind chills my paling skin Hair not so tousled now.
2.
Better Me 04:21
Work as waitress Pouring coffee, laying tables It's the default role For someone artsy with no credentials It's not fine dining But the most discerning of places But the smears on the window Distort the nicest of faces.   So if you recognise me Then won't you liberate me Come and say how much you love me And I will use your contacts to better me.   Local news reporter Comes to dine at our venue So I slip him a flyer As I hand him the menu It was a shrewd idea From my marketing knowledge Born from average grades A a mediocre college.   Mother, why'd you tell me That my star shone bright today It's all midnight black And newspaper grey Mother, won't you tell me If I learnt my lesson well Cos that path is littered By the bones of those who tried and failed.
3.
Moscow - London 6pm Taxi runway west She's facing forward, blinkers on Clutching the armrest The gentleman beside her reads The inflight magazine Picture perfect article on Burma As concrete turns to cloud And cloud turns into sky She contemplates her new found karma.   With her decision made to give and never take This gentle incline tips the balance of her fate Take care, beware but don't relax too soon Take care, beware cos God has other plans for you. Through the window marking progress Twisting ribbon vapour trail As Moscow City sinks beneath her feet Dissolving like a salted snail The gentleman in 13B shifts anxiously Crosses his chest and folds his arms She takes some solace from his discomfort And offers him a knowing glance.   Eastern block 20,000 feet The cabin starts to shake "Please take your seats and fasten your seatbelts And stow your table trays" The gentleman in 13B he turns to her Ashen faced and praying to survive The cabin gravity it shifts so suddenly But she just turns to him and smiles, she says   With my decision made to give and never take This changing incline tips the balance of my fate Take care, beware, cos what will be will be Cos now I see that God had other plans for me.
4.
Winter has pointed its finger At the last to be splintered It wipes out the garden Generation hindered She scrapes at my window But I have   Jealous angels watching me All the way home.   Without envy Cool and carefree He walks alongside me And the crows in the belfry Scatter far as we Turn up the volume Discussing our fortune As Winter declares her victory But inside's protected And we're not affected But February's constant hostility.   I'll stand my ground Winter uncrowned Time to discount This battle ground.   And they'll fight their way Through solid ground It's a sweet surrender April bound.
5.
Daniel Buckley donned a shawl and a grin Charles survived thanks to the whisky and gin Edwardian splendour by Louis XV Oh naivety.   20 sinkings in as many months Birth of a dream yard number 401 Driving rivets, impairing hearing Oh loss of life Seventeen.   Light the boiler boys!   Full speed ahead, full throttle New life in the new world "See you in New York!" But 5,000 years ago an icicle broke free A collision course Destiny.   What use is opulence when shrouded by steel? What use are diamonds when they're two miles beneath? Mrs Hart had always said Midnight stealth dead ahead.   Call the captain boys!   It's too late for salvation If we stick together we've a fighting chance Let Hartley and his men serenade me Nearer My God To Thee.   Light the boiler boys! Call the captain boys! CQD boys! Launch the lifeboats! Row! Row! You can't conquer nature Call the Carpathia!
6.
Mary was born in May The heat of '76 And while she slept her mother wept What stricken life is this? Her father, blue collar Exported the dollar Each winter, the squallor Protected from his daughter   Oh the life of Mary May   Mary had just turned three When Daddy turned his back And while she slept her mother wept He's never to come back She tucked Mary's hair behind her ear A mother's touch divine And the tears she cried they didn't dry The year 1979.   Mary was seventeen When she left the house for good Her mother'd not recovered from The damage from the flood Lawyer bills, insurance claims Left nothing there but debt And the spring of '93 She put a pistol to her head.   Now she lives in the basement getting curious stares From the man and the lady who are living upstairs If she had a child she'd be seen as human With help from the government and help for schooling The impending fate of the welfare state As she waits in line at the communion shrine Locked in confession with a sinful priest  Trying to make ends meet with her benefits ceased And she sells her soul just to pay the rent It's the shameless winter of her discontent   Oh Mary was thirty three When flashing blue outside A child surrendered days ago A note lay by her side Life is full of exits And choices make or break But all her splendour's wrapped up In the bowels of one mistake.   Oh the life of Mary May.
7.
8.
I've sinned down on my knees And I know St Peter won't wait for me The demons come at night I get no peace by moonlight.   Oh, no matter how you pretend Oh, death will get you in the end Oh, there's nothing wrong Oh, with a sinner's song.   I've witnessed others' fate And gathered glory in their wake I've twist and turned and tumbled Stood idly by while your world crumbled Praying to God to make me wiser Won't keep me from the equaliser Because I'm getting older Keep one more devil on my shoulder   A sinner song.
9.
10.
3am on a Sunday Far from you I write Hoping these letters will Find you alright Cos there's a girl in Hannover Feigning confidence with a stranger And I am just waiting for this Day to come.   When I will darken your doorstep And travel those miles Cos you know one man's triumph Is another man's trial.   Well the mornings are sunny But the nights are so cold But the seasons are changing Or so I've been told And there's a girl in Santa Cruz Still fighting the blues So I am just waiting for that Day to come. Where you will darken my doorstep And travel those miles Cos you know one man's triumph Is another man's trial All the while I will never Conquer. Well you said you would visit See the city in the winter But I still await This fantasy visitor Cos there's a girl in my nightdress Pouring coffee for my temptress So I have stopped waiting for that Day to come   Cos there's a girl writing letters Peeling pictures from her wall Those jeering smiles now Face down in cardboard But if you close a window Someone opens a door So I am still waiting for that day to come.

about

Written on the road, whilst touring “Shameless Winter” is an honest and beautiful account of life away from home following a dream. Whether it's a song recounting the bitter European winters whilst journeying alone, or a black comedic tale of an ill-fated voyage, the tunes that comprise Daisy Chapman's new album are perceptive and strikingly performed. Daisy's voice, her most powerful instrument, soars above classical piano to almost choral proportions, whilst the melodies are supported by dramatic fiddle and swelling cello. It’s hard to draw comparison from a single musical influence – whether it’s the honest and sometimes brutal story-telling of Nick Cave, or the entwining of melody and chords like Regina Spektor, Daisy certainly knows how to craft a song, and arrange the instrumentation so that the listener is constantly engaged. What is always evident, is that Daisy is a well travelled and experienced musician, and has come a long way from performing to three people at a dreary club in the Lower East Side of Manhattan when her musical journey really began.

credits

released October 2, 2012

Vocals and piano: Daisy Chapman
Violin: Lizz Lipscombe
Cello: Charlotte Nicholls
Percussion: Tim Smith
Double Bass: Dan Brown
Trombone: Richard Cross
MAN vocals: Jay Head. Ali Chant

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Daisy Chapman Bristol, UK

Daisy Chapman is an incredibly well-travelled pianist and vocalist who draws influences from the anti-folk world. It’s hard to pinpoint Daisy’s unique style. Every song harbours a dark story of love, lust and loss told through her exquisite voice and piano, with Sue Lord on violin bringing the performance to harmonious ending transcending boundaries and genres. ... more

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